AbstractThe course of reprocessing knowledge and information about social sciences and humanities using digital technology is taking root as a new field of academia called the ‘digital humanities’ (DH). While the social sciences and humanities in South Korea have shown a marked reluctance toward the integration of digital technology, the perception of its necessity as a new methodology for developing these fields in the digital age is growing. Until recently, analytical studies on the status and contents of DH were conducted on data from the western world.
AbstractThe question of why Pablo Picasso dedicated a considerable amount of his time to writing around 1935 is open to speculation. Many have cited, among possible causes: the Spanish artist’s emotional crisis, the political turmoil in Europe in the period between the two wars, and the menace of a confrontation in Spain. All of these views are predicated on an assumed irreducible conflict between visual composition and verbal expression.
AbstractThe article proposes, justifies, and tests a new methodological framework to measure museum ‘soft power’ by employing geo-visualization as a new method empowered by the rapid development of digital humanities. This research not only demystifies the buzz term of ‘soft power’ that is frequently applied in relation to contemporary museums and their international cultural engagements but also develops an evaluation framework to assess museum capacities to exert global impacts.
AbstractWhile the challenge of historical reconstruction of past musical performances is not a fully solved problem, not all the elements are equally unknown, or of equal magnitude. Despite some uncertainty about the interpretation of individual performers on specific dates, scholarship can still inform other factors of greater perceptual importance, leading to a good approximation of historical performances. In addition to performance style and period instruments, computer simulations make it possible to also account for the acoustics of the period performance space.
AbstractIdentifying the stylistic signatures characteristic of different genres is of central importance to literary theory and criticism. In this article we report a large-scale computational analysis of Latin prose and verse using a combination of quantitative stylistics and supervised machine learning.
AbstractThe Guidelines of the Text Encoding Initiative are generally recognized in the digital humanities as important and foundational standards for many types of research in the field. The TEI Guidelines are generalistic, seeking to enable the largest possible user base encoding digital texts for a wide range of purposes. Consulting on many TEI-based projects, teaching TEI workshops, and volunteering as part of the TEI Technical Council, I have encountered many myths, misconceptions, and misunderstandings about the TEI.
AbstractThis article describes methods that can be used to construct a Latin morphological and syntactic parser, including resources that enable reordering the sentence according to the SVO (subject + verb + object) standard order, aiming to facilitate the translation of Latin phrases by users.
AbstractAlthough music is an important part of cremation rituals, there is hardly any research regarding music and cremations. This lack of research has inspired the authors to conduct a long-term research project, focusing on musical and linguistic aspects of music played during cremations. This article presents the analysis of a playlist consisting of twenty-five sets of music, each consisting of three tracks, used in a crematorium in the south of The Netherlands from 1986 onward.